Showing posts with label tarot spread. Show all posts
Showing posts with label tarot spread. Show all posts

November 27, 2019

Creative Woo-riting, Part 4

Hello, hello, everyone! I'm back with another installment of my "Creative Woo-riting" series, specifically discussing how I used tarot to write my recent story "Revolve Her" (currently available in the Paperback Writers anthology by Locklear Books). In my previous posts, I shared how I used a tarot ritual and spread to prepare for the story. Today, I'll talk about how tarot factors directly into the plot.

So. I knew I wanted to write a scene about a tarot reading, but it felt too contrived if I were to hand-pick the cards myself. As the designer of the story, I obviously could've just selected the tarot cards with meanings coinciding with exactly what I wanted to convey. But where's the fun in that? If there's one thing I've learned about the tarot, it's that it's a lot wiser than me--even if it's only unearthing answers that I already know anyway! Sometimes we don't consciously know what is best, even if on some subconscious or unconscious level we do. So, I decided to leave this one to the cards and, honest to God, shuffled and drew a few at random, with the intention of unlocking the message my protagonist, Ellie, needed to hear.

This is what resulted:


And here's how I interpreted and wrote it into "Revolve Her"...

~ * ~


After giving the cards one last good shuffle, she knocks on the deck with her knuckles three times, as Beverley directs before next asking for her birthdate.
“Fifth August,” Ellie says before she can correct herself, watching the other woman flip the deck face-up and thumb through it.
“Ah. A Leo,” Beverley says, casting an eye on Ellie, who knows she’s really a Pisces. If the psychic detects the lie, though, she doesn’t call it out, simply plucks a card from the pile and lays it on the cloth for Ellie to see. “Here’s our gal. She represents you in this reading. Your significator. And let me tell you, she is something fierce.”
“I’d say so,” Ellie agrees as she hovers over the image, getting a closer look in the dim, flickering light and admiring the fiery hotness of the Queen of Wands, whose golden mane is like Ellie’s, just glossier. Also like Ellie is the tattoo on the queen’s soft-looking skin; her dark, defined brows; and full, luscious lips. This queen’s eyes are blue, but damn if they don’t match Ellie’s determination.
“Then we do have a fit.” Beverley smiles. “There are other court cards of different suits in the deck, but this one in particular reflects a creative, passionate, driven individual. She’s confident, sensual, and feels good in her skin.”
Just as she starts to feel a fire welling within, Ellie’s dowsed in cold water at Beverley’s next question. Which is, simply, what Ellie’s question is—for the cards.
She draws a blank. Question? She didn’t think she needed one. Her only question now is what’s her question?
“Personal? Professional?” Beverley prompts, which sends Ellie’s mind whirring. The parlor’s business has been solid lately and their newest artist only exceeding expectations. Ellie feels good there. But personally…
Bollocks. Where to even start? Ellie isn’t sure anymore if she wants to talk about Robert, and like hell if she’s going to bring up what she experienced at the motel. As hard as she tries to consider other topics, however, Robert keeps returning to the forefront—the image of him, anyway, lying bloodied on the floor. All she wants all of a sudden is to see him, be sure he’s really okay. And if so, to just…leave things on a better note than they did. Does Robert want that, too? After dumping her off last night, does he have any intention to return? Does he want anything to do with her? Does she want him to want to?
Stewing in discomfort and indecision, Ellie returns her roving eyes to Beverley when the psychic leans forward onto her elbows and laces her fingers together. The polish on her long nails matches her lipstick.
“Is it about the guy you just saw again? Is that the one?”
The one, as if Beverley could see the flurry of questions swarming Ellie’s head and seized on “the one” that kept pushing its way to the surface.
“Yes,” Ellie says before she can think about it. “Yes,” she repeats in lieu of further detail.
“Thought so” is Beverley’s only comment before giving the tarot cards a quick overhand shuffle and asking Ellie to cut the deck. Ellie does, and Beverley pulls three cards from the top of the re-stacked pile. “Huh.”
Laid before Ellie are deep jewel-toned drawings rendered in the style of tattoo art, their rich color and symbolism popping out from a vintage cream background. Reading from left to right, the cards’ captions say Judgement, The World, and The Emperor.
“All Major Arcana,” Beverley says. “That’s significant. The Minors deal in day-to-day stuff, but the Majors are more ongoing, overarching issues, you know?”
“Okay,” Ellie says with furrowed brow, studying the pictures but unable to make meaning from them. Other than that, in profile, the brunet Emperor kind of reminds her of an unshaven Robert—what isn’t reminding her of him today?—and that the religious overtone of Judgement—depicting an angel blowing a trumpet above people rising from graves—puts her ill at ease.
“This is big-picture stuff. In your relationships, romantic or platonic, you’ve grappled with the judgment of others and yourself. Most recently, you might’ve done something you’re not proud of, behaved in a way that let you down when you know you’re better than that. Were you too harsh on this guy? Channeling how others have treated you, maybe? Quick to label and cut off?”
Ellie sucks on her lower lip.
“Don’t beat yourself up over it. See that?” Beverley taps on a woman who’s standing up from inside her coffin. “It’s like you’ve had a rebirth. Just learn from missteps and heed your soul’s call, which in the present seems fulfilled. You may not fully realize it, but you have achieved completion when it comes to your heart. Look at how free this woman is,” she says, pointing to the World card now, “naked but not vulnerable. She, too, is comfortable in her skin and just owns it.
“Nothing is finished forever. Life’s a turntable, and you’ll cycle through insecurity and heartache again, as we all do, like a record spinning round and round, skippin’ on the same scratches. But each time, your needle wears down those imperfections more and more.”
Ellie automatically thinks of her tattoo needle, how the concentration and repetition of her craft ever more effectively imprints everyone she serves with a piece of her, living on in new flesh.
“With enlightenment, you’re bringing something finer and fiercer to the table, Queen of Wands. You’re in command of your fate here, and it seems by putting yourself out there in a truly vulnerable and authentic way, you really have managed to find the real deal. This man, he’s showing up here, in your future.” She points to the Emperor. “He might seem all powerful and patriarchal on his throne, but see how he’s looking at you. He’s facing the first two cards—looking back at where you’ve been and where you are—and seems to glow from your radiance. This guy’s besotted. Even your queen here” —she points to the significator card— “is looking down at him like da-amn. She wants him, and she’s holding that wand, that tool for directing her power, willing it to do her bidding. You’re in more control here than you think.”
Ellie’s been listening attentively up to this point—rapt, in fact—but the morning’s big breakfast and Bloody Mary are catching up with her. She yawns before she can help it.
Beverley stops mid-soliloquy. “Oh, I’m sorry. Am I boring you?” She only manages the straight face for so long, laughing robustly at her own act. Ellie is so enamored with the good-natured sound and smile that she reciprocates.
“Listen,” Beverley continues, “I don’t know who we’re talking about here, what’s happened between you two—like, really happened, not what’s in your head.” She’s no longer looking at Ellie but the space between them, her eyes appearing unfocused. “But you’ve got something there that isn’t over yet. I’m seeing unfinished business, heat that needs releasing to find closure. Someone needs to move on.”
“Someone?” Ellie asks. “As in me? I need to confront him and get over it?”
A sound catches in Beverley’s throat, and she swallows. Her eyes meet Ellie’s, slightly widened. If it weren’t so cliché—and truly creepy to contemplate—Ellie would think the psychic has just seen a ghost.
“You?” Beverley says at last. “No, no. You both.”
Her voice is as distant as her stare, but even in the candlelight, Ellie sees the light come back into her eyes. Beverley clears her throat.
“You and the—the guy,” she says, as if Ellie couldn’t already figure that out. “And even though you’re still seeking that completion, with him, what will help you find it is your current state of wholeness. You’re embodying who you are. You don’t need this man to be complete. But he’s a key factor somehow in a new cycle you’re starting. Maybe more conventional than expected, but not like what you’ve left. He offers a healthy stability, in which you’d continue to flourish. He wouldn’t—” She blinks her eyes, which have become glassy, and shakes her head. “He wouldn’t treat you as less-than. He only sees you for who you are, and…
“And I’m jealous as fuck.” Beverley chuckles toward her chest and wipes her eyes. “I’m sorry.” She looks up, her expression almost sad if it didn’t also look a little scared. “I don’t mean to monologue at you. That’s just what I see, in this moment, so why don’t you take it from here. Tell me what did or didn’t land with you.”
In all the time she’s been listening, Ellie would swear she stopped breathing if not for the shallow inhales of sage-spiced air that she’s felt caressing her nose. She feels light, dizzy but light, and morbidly relieved to hear Robert still spoken of in present tense. Yes, she needs to see him again. But for now, how much should she tell Beverley?
She decides to tell it all. At least, up to the part when she first discovered Robert was married, and then attempted to hightail it back to London via Phoenix. The coming-back-to-Sedona part was still a little fuzzy for her.

[...]

“Which brings me to this wretched morning,” she says, “when I woke with a thumping headache, empty stomach, new vegan holster”—she lifts her purse from where it hangs on her chair— “and a dash of wishful thinking, which must have brought on a psychic break indulging a sick fantasy I never actually had.”
“It wasn’t that.”
That’s all Beverley says.
“Well, all the same, I probably ought to consult a medical professional, don’t you think?”
“Wouldn’t help.”
“Why not?”
“Eleanor…”
“You can call me Ellie.”
“Ellie.” Beverley flashes her lovely pearl teeth before the misgiving reenters her lovely onyx eyes. Picking up the remaining pile of cards, she does another quick overhand shuffle before setting the deck down in front of Ellie and spreading it out, facedown, in a long line. “Mind drawing another one?”
“All right.” Scanning the fan of cards, Ellie instinctively zeroes in on one and pulls it out to present it to Beverley.
Ace of Wands, its caption reads. Ellie sees a disembodied hand holding a wand like her Queen of Wands. This wand projects so much more energy, though, as if channeling the very power of the sun’s rays. And though the tattooed hand that holds it seems feminine and similar to the Queen of Wands’, on some intuitive level, even Ellie knows it isn’t. It doesn’t belong to her—the queen or Ellie. Someone else is conducting this mad music, changing Ellie’s life with a wave of her hand.
Watching Beverley inspect the card for some time in silence, Ellie senses a big So, here’s the thing coming. She doesn’t know why, she doesn’t understand how, but true to expectations, Beverley finally opens her mouth to say, “I don’t know quite how to broach this delicately, so I’ll just come right out and say, well, suggest…”
Ellie tips her chin down into her neck, her raised brow encouraging Beverley to out with it.
“It’s just that, our time, for the tarot reading, is up. And I don’t care what you have and haven’t paid for, Ellie. If I had the time today, I would ask you to stay a while longer, free of charge. But since I don’t, and you might not anyway—” she pauses for an inhale, though she herself seems to loathe the unnecessary drama that adds “—Ellie, would you please consider scheduling another session with me? For a medium reading. Tomorrow. As soon as possible?”

~ * ~

So there we go! A real tarot-reading for a fictional character. It was SUCH fun offering up a part of my writing process to something out of my control. I honestly think it resulted in something better than I could've come up with myself!

By the way, the deck pictured above is Tattoo Tarot: Ink & Intuition. This is the same tarot deck that features in "Revolve Her" and that gave its name to Ellie's tattoo parlor. :) 

My little series here is almost at an end, but coming up next is the inspiration for my story's spiritual setting in Sedona. See ya then!

October 11, 2019

Creative Woo-riting, Part 3

Hello, hello! I'm back with more behind-the-scenes brainstorming of my latest short story, "Revolve Her," inspired by the lyrics of the Beatles album Revolver. As it was a rather metaphysical story, I decided to approach it in a rather metaphysical way, especially since I'd had major writer's block and needed some help however I could get it!

As mentioned in my last post, to get an initial, intuitive peek at my main characters, I conducted a tarot reading. Because...why not? I knew I wanted tarot to feature in the story somehow, so it felt appropriate to use it as an actual tool in crafting the story.

In my previous post, I shared the reading results for my protagonist, Ellie. Today I'm sharing another cursory character sketch using the same method. Once again, I used Ethony Dawn's Story Tarot Spread and the Tarot of Haunted House deck to learn a bit about my secondary character Beverley:

This photo is a re-creation of the original reading, but drat! I accidentally positioned the 4 of Swords upright when it had actually been reversed. Due to laziness, I am using this photo anyway. Just flip the image in your mind. :)

1. Significator: 5 of Pentacles. [Unlike the significator I deliberately chose for Ellie, I think I drew this card at random because I really didn't have a clear idea of this character.] She is destitute, working here to make what money she can, though has a true gift for spiritual connection and insight. Has to fend off a lot of creeps and skeptics, though, that threaten this livelihood.

2. Challenge: 9 of Wands (reversed).She's been through some hard knocks, but her defenses are down, and she's starting to fear this will never end--the way things have been--overwhelmed by what opportunities could be passing her by. What's her next step, and should she get a plane ticket out of town for a completely new start elsewhere?

3. Opportunity: The Moon (reversed). The Protagonist's challenge is the Psychic's opportunity. [See previous post, where the Moon reversed also showed up for my protagonist, Ellie.] This lost soul finds her and, together, they navigate the path(s) visible to them or not yet [visible].

4. Environment: The Magician. All sorts of tools available to them in the crystal shop! Crystals, tarot, other divination, and her psychic gifts. It's all there, just takes them to use it and manifest real change.

5. The Reward: The Emperor (reversed). Overthrowing the Patriarchy. She is vulnerable to men, too. [See previous post, where this issue also came up for Ellie.]

6. The Outcome: 4 of Swords (reversed)*. Getting up and out of her situation before it can snare her in its clutches for good. She's had enough time standing still and analyzing it to death. Time to rise and step out into the moonlight with our Protagonist, facing fears and following intuition together (?). Maybe she does leave town with the Protag. or just buys a ticket and leaves it to fate [at this point I had drawn a clarifying card, the Wheel of Fortune, which added that last bit of insight]. Goes to airport and sees where the next departures are headed. Standing up to men fires her up for positive change.

* To repeat my caption above, yes, the 4 of Swords was actually reversed. Ignore my shoddy work in re-creating the scene for the photo.

In my journal I then went on to look at the overall trends in the cards, particularly that out of six cards there were four Major Arcana and four reversals. I took this to mean: "This is a massive, ongoing issue for her with significant impact on her future. She's low energy and vulnerable, scared, and hesistant/resistant, though."

And I LOVE THIS: I next asked what the story's heat level should be, not sure how far I wanted to go with romance yet also not certain that a tarot card could give a clear answer on that...and then I drew this:


HA! BURN, BABY, BURN!!! 🔥🔥🔥

So, yeah. For the record, a tarot card can be very, very clear on that point. 😆

I wouldn't say I took the heat level that far in the story, but I did appreciate getting the go-ahead for some sexual tension if I wanted it! And as for Beverley, this exercise genuinely did help me begin to shape her in my mind, to get a sense of what her own conflict might be.

How closely did I follow this in the story? Read it and find out! 😃

"Revolve Her" is available in the Paperback Writers anthology at Amazon: http://getbook.at/PaperbackWriters







October 8, 2019

Creative Woo-riting, Part 2

Eek. Took me longer than expected to get back here, but I've been busy editing for myself and others, so that's a good thing! Am stealing a moment now to bring you the next installment of my "Creative Woo-riting" series, in which I share a little of the metaphyzzle shizzle that went into writing "Revolve Her." Here's the blurb:
Dr. Robert has spun Eleanor round like a record. He rocked her world in the UK, then turned it upside down in the US. Hot, dry, sunny Sedona, Arizona is nothing like the London she left behind for love. And now, on her own, Eleanor — Ellie — isn’t sure where she belongs.
She’s not the only lost soul, however, when someone else’s violent past traumatizes her present. Unsure whether the threat only lives in her mind or if a spirit actually lurks in her motel room, Ellie seeks the aid of a psychic medium named Beverley. Unfortunately, Ellie’s life takes another turn for the worse when Beverley’s own troubled history comes around to haunt them both—and this time, it’s definitely not Ellie’s imagination. That revolver is real, and it’s taking aim. But who is it for?
Riffing on the song titles and lyrics of the Beatles album Revolver, “Revolve Her” spins a supernatural tune of its own about a woman who knows where she comes from and will decide for herself where she’s going.

So, there's a bit about the story, which was largely inspired by The Beatles in subtle and unconventional ways. And also unconventionally, I decided to consult tarot cards for ideas on characterization!

Using Ethony Dawn's Story Tarot Spread, I laid out the following cards from the Tarot of Haunted House deck to get some insight into my story's protagonist, Ellie:


The notes I scribbled as I first interpreted this spread go a little somethin' like this...

1. Significator: Queen of Wands for August 5. [This date is Ellie's alleged birthday and when Revolver was released in '66! So, I deliberately chose this card to represent the fire sign of Leo. The rest of the cards, however, were selected at random.]

2. Challenge: The Moon (reversed). Fear, deception, disillusionment. She's lost and depressed and letting doubt get the better of her.

3. Opportunity: Strength. She has occasion to find inner strength as mirrored in her own reflection or the spirit or medium. This strength could lead her down the wrong path, though. Her smile is more smirky and devious/vengeful.

4. Environment: King of Wands. Seductive, handsome man with the power. She is vulnerable and useless around him -- or the spirit was, and this energy affects the protagonist.

5. The Reward: 5 of Wands. There is struggle and confusion that she must overcome to truly find her strength and the clarity to light her path. She must throw off the cloak that conceals the real her. Break free from the tangle of men.

6. The Outcome: 8 of Cups. An escape to higher ground. A more enlighted path that discards the toxic influences/habits that no longer serve her.

I went on to feverishly jot down ideas from there in my journal, as I always like to brainstorm a story with pen and paper. I'd just never tried tarot before as a prompt! The results were cool. It's interesting to look back on this now that I've written and published the story. I'd say all of this does factor into it in some way.

Next up is the reading I did for my psychic medium, Beverley. Until then, dearies, whether it's books or tarot, I wish you happy reading!



September 4, 2018

Putting the "Raven" in R-u-m-e-r-h-A-V-E-N

Greetings and salutations, dear readers!

'Tis been a long while (yet again), but, rest assured, there's been some writing for my next manuscript as well as more of the woo I mentioned last time. Interestingly, the latter has helped as I try to work through my writer's block--tarot in particular. As author Maggie Stiefvater says in the introduction to her tarot guidebook, Illuminating the Prophecy:
I love stories.

I love them in all forms: in writing, in art, in music. [...] My favorite sorts of stories, however, are the ones that people tell about themselves.

To me, that's the soul of tarot. Every spread is an opportunity to shape our current life events into a story with ourselves firmly installed as the hero at the heart of it. Stories are a way of imposing structure and control, and tarot is a way of imposing structure and control on our own spiritual growth.
It's so true. And I'm finding my way back into storytelling through the cards.

I've been studying tarot a lot lately, rekindling my interest after receiving my first deck several years ago. Since then, I've accumulated other decks to compare/contrast their symbolism and aesthetic, gauge how my intuition might work with each differently. And now as summer slowly fades into fall, I've been keen to work with decks that capture an autumn atmosphere. While not technically a seasonal deck, my newest one seems to deliver just that: The Raven's Prophecy.

(The glare in the photo doesn't properly show it, but, despite not being a Halloween-themed deck, these cards have pumpkin-orange borders and deep black backgrounds.)

Created by Maggie Stiefvater, The Raven's Prophecy was inspired by her Raven Cycle young adult book series. I discovered these cards before the novels, so I'm eagerly reading The Raven Boys now! So far, it's ticking all the boxes of paranormal intrigue that I adore.

At any rate, whenever I get a new deck, I interview it to get to know it better and understand how we might work best together. It's a very fun little exercise, and this deck straight away blew me away!

First of all, I've been drawing a card a day from my traditional Rider-Waite-Smith tarot and sharing my personal reflections over at my original creative writing blog (you know, before I became such a diva and demanded a separate author site 😉). Well, today's card was the Queen of Wands, which fell face-up in my lap while I was shuffling. So this morning I blogged about what a passionate, creative, energetic spirit this queen is, and then this afternoon decided to interview my Raven tarot after its delivery.

Right out of the gate, the Queen of Wands of that deck shot out of the pile. I mean, shot straight ahead with such force it almost startled me. She sure is a spitfire! And the longer I subsequently meditated on my tarot spread, the more apparent it became that the card-a-day I'd initially assumed was about me was actually heralding the arrival of this deck. A prophecy of the Raven's Prophecy, if you will. The deck is the freakin' Queen of Wands around here!

Second of all, as I do read reversed cards, I left it as is when the entire top row of my spread was dealt upright and the entire bottom row was upside down. Automatically, I viewed this as a mirror reflection, the bottom reflecting the top. And just as I had this thought, I noticed the reflection pictured in the card closest to me (bottom-center in the photo above). Had I turned this card right-side up, then I may have lost the impact of seeing that hand reaching from where I was sitting to touch the bony fingertips of the skeletal hand reaching out to me from the deck--as if reaching to me from the other side, from a higher consciousness that knows the answers I seek, the ones already within me that I just have to recognize. Maybe you had to be there, but this shivered me timbers for sure. Awesome!

Okay, so, moving on. Below is how my interview with this hot thang transpired (see above photo of the "Interview Spread" that I learned from Little Red Tarot):

1. Tell me about yourself. What is your most important characteristic? Seven of Coins. I generally interpret this as patiently waiting to reap the fruits of one's labors, so I think this deck is telling me there will be no easy, quick fixes. Its advice will require time and effort on my part, but I'll ultimately be rewarded for it.

2. What are your strengths as a deck? Queen of Swords. This one cuts straight to the truth. Its guidance will be honest but fair, what I need to hear even if I don't want to.

3. What are your limits? King of Coins. Seems this deck will be down to earth but perhaps prickly and stern in its authority. Like the Queen of Swords, this King can draw blood with those thorns.

4. What are you here to teach me? Four of Swords (reversed). This could be a call for me to stop and rest to take stock of situations before I act on them, but given its reversal and the context of the spread, I think this deck is poking at me to get up and at 'em. Telling me that I tend to stall and take plenty of time to think, but that it's time to take action. To not take life lying down and instead be proactive toward my goals.

5. How can I best learn and collaborate with you? Nine of Swords (reversed). I need to get over my irrational fears and face the music this deck plays for me. As mentioned before, it may tell me things I don't want to hear, but it's in my best interest. I need to meet the deck halfway, not fearing what it has to say but trusting it and acting on it.

6. What is the potential outcome of our working relationship? Four of Coins (reversed). I feel like this one echoes its pals in urging me out of my comfort zone, encouraging me to not hold things so close to the chest and branch out. Perhaps in helping myself, I can help others.

This is just a cursory interpretation, but needless to say, methinks this deck is going to be a little ball-buster! Yet in the best of ways. My only reason for practicing tarot is to hold a mirror to myself to help me see what I've otherwise been unable to (*ahem* Mirror, I say? Like the mirror image I commented on above? You bet I read something into that!). So I think this is the beginning of a beautiful friendship between the Raven and R.Haven. May we both have many stories to tell!