Showing posts with label ghost story. Show all posts
Showing posts with label ghost story. Show all posts
November 16, 2018
Rumer Ruminates on a Room
This.
And what about this, you may ask?
Well, this is my recently repainted, yet-to-be-recarpeted spare room after it suffered some water damage from upstairs.
I've lived in this flat for 10 years. Yep, we're stupefying friends, family, and London lettings agents left and right with that one.
Whether they realize it or not, my readers are already well-acquainted with this space--it's Rand's flat in my past-present paranormal novel, What the Clocks Know. And this particular room is where Margot has many-a haunting dream in her sleep... But to me, it's my office / guest bedroom / husband's closet. Oh, and I suppose bike rack (thanks to a very, very high ceiling). That's how we roll in London. Life in miniature.
Anyway, what I'm taking my sweet time getting around to is that it's been a decade since I've seen this room empty like this. The first time since we moved in. And it's weird. Though I've imagined it this way many times over the years (in mentally/emotionally preparing for when we do ultimately move), to behold it like this now has made me realize something:
When we move out, it'll be like we were never here.
Our first years of marriage, the first home we made together, every book I've written so far, all the trials and tribulations of international relocation we've endured, the dozens of people we've hosted, the laughs we've shared, the tears we've (okay, I've) cried, everything we'll have learned and dreamt of and achieved in the span of over a decade--*poof*
Vanished.
Like Keyser Soze.
(And Kevin Spacey, for that matter.)
None of this will disappear from our minds and hearts, of course. We're lugging all our memories with us when the time comes. Only for a cleaning crew to come through and wipe the slate clean behind us, leaving everything just as we'd found it in 2008. Just like every previous tenant/owner had before us and will after. These containers brimming with our lives...they just return to empty spaces.
But do they?
Since celebrating our 10-year anniversary in the UK, we've been reminiscing a lot about our time here, and somehow this whole water-damage/renovation fiasco has shifted our nostalgia into hyperdrive. So, at first I looked at this empty room where I literally started my writing career and felt such sadness that all that meaning will just get erased as someone else's blank canvas to paint on. I can't take it with me. But will it ever truly let me go?
As I said to my husband the other day, "We're gonna leave so much energy behind in this place! The next tenants are screwed!!" And then we both laughed because we both know it's so totally true.
These walls...they've locked us in. A part of us, anyway. We've energetically imprinted ourselves on this space, so in a sense will always be here, just as I believe a part of everyone else who's lived here still does, possibly affecting us in ways we don't realize. You don't have to be dead to haunt a place.
And haunt places we do, which is what I like to write about. It didn't take moving to London for me to contemplate the spaces I live in and pass through, the people who've shared those places, and the individual and collective experiences to be had (and have been had) in them. The past always lives in my present, and I reckon the future does as well. Layer upon layer of life in a single space.
Think about it.
You can read about it, too. Here http://getbook.at/SFAS and here http://getbook.at/WTCK. ๐
In the meantime, since that first photo was taken earlier this week, our spare room has indeed been recarpeted and refilled with our schtuff, as we're not going anywhere just yet. So, here's to filling these walls with more memories and manuscripts! And to the energetic prints we'll leave behind, living on in our wake. ๐ป ๐
August 20, 2017
FIRST PLACE WINNER! What the Clocks Know
I'm ridiculously excited to announce that this weekend, my last novel, What the Clocks Know, won first place in General Fiction for the 2017 Red City Review Awards!
You can see the full list of winners in each genre here: http://redcityreview.com/2017-winners/
And here's some of what Red City Review had to say in their 5-star review:
"Rumer Haven presents a twisted paranormal story in her latest novel. Keeping to a small-foiled cast, Haven features Margot, a young woman whose vulnerable state is intensified by her paranormal experiences. . . . A unique approach to Haven’s writing style is her use of red herrings. Taking advantage of her principal character’s vulnerability, Haven keeps her audience often confused as they are trying to figure out if Margot is suffering from a mental condition, is really experiencing the paranormal, or both. By using this literary tool, Haven is able to not only produce a consistent narrative flow, but also provide a flurry of unexpected character scenes up to and including the story’s close. What the Clocks Know offers paranormal enthusiasts a refreshingly gripping yet keenly deceptive read."They also previously had this to say about Seven for a Secret:
"An intriguing tale that twists together the paranormal with a witty rom-com, Seven For a Secret is both a ghost story and a romantic escapade. . . . By pairing the modern-day story with intriguing elements from the 1920s, including ghosts and tantalizing trysts, Haven crafts a spellbinding plot that is sure to keep readers enraptured. . . . The story unspools at the perfect pace, layering more and more upon the reader as they move along the narrative. The comparisons that are drawn up between how women were treated in the early twentieth century to how they are viewed in the modern era is an especially fascinating element of the book which the author pulls off quite well. By blending genres of romance, historical fiction, and the supernatural, Haven pulls readers into her story with ease, as her talent for constructing such a juicy novel displays itself readily in every chapter."You can find the full reviews here:
What the Clocks Know
http://redcityreview.com/reviews/what-the-clocks-know-by-rumer-haven/
Seven for a Secret
http://redcityreview.com/reviews/seven-for-a-secret-by-rumer-haven/
Thank you, dear readers, for your constant support!
September 26, 2016
Signing in the Cemetery!
What a haunted hoot I had with fellow paranormal author Shani Struthers last weekend! Saturday was our morbid-yet-merry book-signing at Brompton Cemetery.
One of London's "Magnificent Seven" cemeteries from the Victorian era, Brompton was the birthplace of my novel What the Clocks Know. I stumbled on this graveyard immediately after relocating to London several years ago, and it's been my favorite London location ever since. As Morrissey sings in the Smiths' song "Cemetry Gates":
So you can imagine my thrill when the lovely Friends of Brompton Cemetery agreed to host this signing, and that joy increased exponentially when Shani Struthers agreed to sign by my side. Shani is the author of Jessamine, the Psychic Surveys series, and the new This Haunted World series (which just launched with book one, the Amazon bestseller The Venetian). Her ghost stories are among my favorites, a wonderful complement to my own paranormal fiction, and fit in perfectly with our unconventional venue. All of our books paired well with wine, too. ๐๐ท
Also at Brompton's chapel this month is artist Iluรก Hauck da Silva, who gave a talk about her "Minotaurs of the Mind: The Second Coil" exhibition prior to our signing. She and her work are stunning, and I was captivated by her inspirations and process.
Shani and I originally intended to hold our event inside the chapel, too, but we were graced with lovely weather (something you cannot take for granted in London!) so decided to move the party outside. The sun eventually tucked behind the clouds, but we still enjoyed the fresh air and our view, as well as greeting passersby.
Among our attendees was an actual ghost-hunting team! Does it get better than that??! We are so grateful to Twilight Ghost Hunts for stopping by before their overnight ghost tour of the London Tombs.
Our excitement lasted right to the very end, when we raced against time to pack up and reach the gate before we got locked in the graveyard overnight!! We did make it out, carrying on our supernatural celebration with "spirits" of the cocktail variety at the Troubadour cafe. Here is Shani looking ab fab at our private post-party:
One of London's "Magnificent Seven" cemeteries from the Victorian era, Brompton was the birthplace of my novel What the Clocks Know. I stumbled on this graveyard immediately after relocating to London several years ago, and it's been my favorite London location ever since. As Morrissey sings in the Smiths' song "Cemetry Gates":
So we go inside and we gravely read the stonesThat's what I contemplate, too, whenever walking through Brompton. This cemetery has some notable residents resting in peace there, like the renowned suffragette Emmeline Pankhurst. But the unknowns also fascinate me as I wonder who they were. Now of very special note to me is one Charlotte Pidgeon, whom I "met" early on during my Brompton strolls and ended up fictionalizing in my story. (Beatrix Potter, too, used to take names for her Peter Rabbit characters from the headstones here.)
All those people, all those lives
Where are they now?
With loves and hates
And passions just like mine
They were born
And then they lived
And then they died
So you can imagine my thrill when the lovely Friends of Brompton Cemetery agreed to host this signing, and that joy increased exponentially when Shani Struthers agreed to sign by my side. Shani is the author of Jessamine, the Psychic Surveys series, and the new This Haunted World series (which just launched with book one, the Amazon bestseller The Venetian). Her ghost stories are among my favorites, a wonderful complement to my own paranormal fiction, and fit in perfectly with our unconventional venue. All of our books paired well with wine, too. ๐๐ท
Also at Brompton's chapel this month is artist Iluรก Hauck da Silva, who gave a talk about her "Minotaurs of the Mind: The Second Coil" exhibition prior to our signing. She and her work are stunning, and I was captivated by her inspirations and process.
Shani and I originally intended to hold our event inside the chapel, too, but we were graced with lovely weather (something you cannot take for granted in London!) so decided to move the party outside. The sun eventually tucked behind the clouds, but we still enjoyed the fresh air and our view, as well as greeting passersby.
Among our attendees was an actual ghost-hunting team! Does it get better than that??! We are so grateful to Twilight Ghost Hunts for stopping by before their overnight ghost tour of the London Tombs.
Our excitement lasted right to the very end, when we raced against time to pack up and reach the gate before we got locked in the graveyard overnight!! We did make it out, carrying on our supernatural celebration with "spirits" of the cocktail variety at the Troubadour cafe. Here is Shani looking ab fab at our private post-party:
Needless to say, we had a spooky and splendid time on Saturday, and now our souls are restless for more! ๐ป ๐ป
(You can view all our photos of the event here: https://www.facebook.com/rumerhaven/photos/?tab=album&album_id=1197733590283938)
September 4, 2016
Madness to the Method, Part 2: The Outline
In my previous post, "Madness to the Method, Part 1: The Brainstorm," I discussed how all of my stories originate from a very sloppy, scattered place: my brain. And the only way to get them out of my head is to kick up a windstorm in there and blow the ideas out onto paper like so much debris. At some point, though, these ideas need to be swept up into a plot pile, which then gets tidied into a story arc.
I've written short stories and vignettes here and there ever since I was a kid, and in crafting those, I usually do just sit and write from start to finish, having a general idea of where I want to go but pretty much making it all up along the way. So when I first took a crack at writing a novel, I automatically assumed I could approach it the same way. Which, when I now think about it, was incredibly naive and insane. Writing a few hundred or thousand words is one thing (don't get me wrong, short stories also benefit from advance planning), but taking on several tens of thousands is quite another. It can become a management nightmare if you just run into such a vast and wild, unexplored frontier with all creative guns blazing and no strategic plan. So as I continued to revise my first manuscript, I had to learn the hard way that backing cohesion and proper pacing into a novel is difficult as hell, and it would have behooved me to have an outline first.
Which is what I did for my second manuscript. I gathered my miscellaneous brainstorming and started to slot it into sections. Still spastic scribblings in my journal, by no means neatly divided into tiers of A, B, C, i, ii, iii, but guidance nonetheless. This bullet-pointed bird's-eye view helped me tremendously by giving a sense of the story's shape and direction without also confining my creativity. I wasn't bound to every idea that I jotted down here, nor were any of them fleshed out enough to dictate every step of the journey. Some writers might prefer a more detailed outline than this, but I've found I personally thrive under this balance between the concrete and the as-yet abstract. The organized and the organic. That gives me the breathing room I need to let myself change my mind if the characters want to head somewhere else, and it allows for those moments of magic when, truly and almost inexplicably inspired, you just write without knowing where it's going and end up creating something better than you could've ever achieved if you'd thought about it too hard.

Giving myself over to the story this way inevitably demands script changes, then, and sometimes I still manage to write myself into a corner. I leave certain aspects open to possibility so reach the inevitable fork in the road where I must commit to one outcome versus another. And I don't always want to go with what I originally planned--or have written myself so far outside that scope that it isn't even an option anymore--at which point I'll sit with pen and paper yet again and hash it out. In the case of both Seven for a Secret and What the Clocks Know, I was closing in on the final chapters when I needed to stop, step back, and brainstorm my way through a State of the Story outline: basically, Here's where my characters are at right now. Is this where I want them to be, and, if so, what are their options from here? It became a decision tree of sorts that ultimately helped me work out the solutions (and bust through my writer's block).
Ultimately, every writer needs to find what method works best for him or her, and surely the process continues to evolve with experience. With only two novel manuscripts down, a third in the works, and a fourth largely in the brainstorm stage, I have personally learned that I will never again attempt one without some semblance of an outline and especially encourage the practice to anyone out there who is writing a novel for the first time.
I've written short stories and vignettes here and there ever since I was a kid, and in crafting those, I usually do just sit and write from start to finish, having a general idea of where I want to go but pretty much making it all up along the way. So when I first took a crack at writing a novel, I automatically assumed I could approach it the same way. Which, when I now think about it, was incredibly naive and insane. Writing a few hundred or thousand words is one thing (don't get me wrong, short stories also benefit from advance planning), but taking on several tens of thousands is quite another. It can become a management nightmare if you just run into such a vast and wild, unexplored frontier with all creative guns blazing and no strategic plan. So as I continued to revise my first manuscript, I had to learn the hard way that backing cohesion and proper pacing into a novel is difficult as hell, and it would have behooved me to have an outline first.
Which is what I did for my second manuscript. I gathered my miscellaneous brainstorming and started to slot it into sections. Still spastic scribblings in my journal, by no means neatly divided into tiers of A, B, C, i, ii, iii, but guidance nonetheless. This bullet-pointed bird's-eye view helped me tremendously by giving a sense of the story's shape and direction without also confining my creativity. I wasn't bound to every idea that I jotted down here, nor were any of them fleshed out enough to dictate every step of the journey. Some writers might prefer a more detailed outline than this, but I've found I personally thrive under this balance between the concrete and the as-yet abstract. The organized and the organic. That gives me the breathing room I need to let myself change my mind if the characters want to head somewhere else, and it allows for those moments of magic when, truly and almost inexplicably inspired, you just write without knowing where it's going and end up creating something better than you could've ever achieved if you'd thought about it too hard.
Giving myself over to the story this way inevitably demands script changes, then, and sometimes I still manage to write myself into a corner. I leave certain aspects open to possibility so reach the inevitable fork in the road where I must commit to one outcome versus another. And I don't always want to go with what I originally planned--or have written myself so far outside that scope that it isn't even an option anymore--at which point I'll sit with pen and paper yet again and hash it out. In the case of both Seven for a Secret and What the Clocks Know, I was closing in on the final chapters when I needed to stop, step back, and brainstorm my way through a State of the Story outline: basically, Here's where my characters are at right now. Is this where I want them to be, and, if so, what are their options from here? It became a decision tree of sorts that ultimately helped me work out the solutions (and bust through my writer's block).
Ultimately, every writer needs to find what method works best for him or her, and surely the process continues to evolve with experience. With only two novel manuscripts down, a third in the works, and a fourth largely in the brainstorm stage, I have personally learned that I will never again attempt one without some semblance of an outline and especially encourage the practice to anyone out there who is writing a novel for the first time.
June 7, 2016
Turning a NEW Leaf...Literally!
What the Clocks Know is back, baby...in PAPERback!!!
Hurrah and huzzah! I was so delighted to discover yesterday that my latest paranormal fiction is now available in both print and ebook, which means those who prefer the feel of paper between their fingertips can now flip and dog-ear pages to their heart's content. Just mind the paper cuts, darlings.
This also means I'll have books to SIGN, so I hope to schedule signing events in both London and Chicago later this year. Please stand by for those details...
In the meantime, you can find What the Clocks Know in both paperback and Kindle formats here:
Hurrah and huzzah! I was so delighted to discover yesterday that my latest paranormal fiction is now available in both print and ebook, which means those who prefer the feel of paper between their fingertips can now flip and dog-ear pages to their heart's content. Just mind the paper cuts, darlings.
This also means I'll have books to SIGN, so I hope to schedule signing events in both London and Chicago later this year. Please stand by for those details...
In the meantime, you can find What the Clocks Know in both paperback and Kindle formats here:
May 20, 2016
#99c this weekend! What the Clocks Know #OneClick
Yessiree, through this weekend only, What the Clocks Know is on sale for only $0.99 / £0.99! Here's what reviewers have to say so far:
"A unique tale of the paranormal―as beautiful as it is haunting."―Shani Struthers, author of Jessamine and the Psychic Surveys series (★★★★★)
"It's not unusual to find a ghost story couched in the broader tale of a lifestyle change; but what brings What the Clocks Know to real spooky life is its ability to timeslip the protagonist between Victorian and modern London to enter different worlds that each serve as a microcosm of love, hate, and everything in between. . . . [A] powerful novel packed with eye-opening imagery and tales of spirits dead, alive, and evolving. . . . The entire production is a gripping read, highly recommended for ghost story enthusiasts, timeslip novel readers, and anyone who likes romance and powerful protagonists facing unexpected circumstances."―D. Donovan, Senior Reviewer, Midwest Book Review (★★★★★)
"Rumer Haven presents a twisted paranormal story in her latest novel. . . . A unique approach to Haven's writing style is her use of red herrings. Taking advantage of her principal character's vulnerability, Haven keeps her audience often confused as they are trying to figure out if Margot is suffering from a mental condition, is really experiencing the paranormal, or both. By using this literary tool, Haven is able to not only produce a consistent narrative flow, but also provide a flurry of unexpected character scenes up to and including the story's close. What the Clocks Know offers paranormal enthusiasts a refreshingly gripping yet keenly deceptive read."―Red City Review (★★★★★)
"Traveling between Victorian and 21st century London, this is a thoughtful and well plotted suspense/ghost story"―Rosemary S, Librarian, NetGalley (★★★★)
So, snatch up some ghostly goodness for yourself or gift it to a friend using Amazon's "Give as a Gift" feature!
March 15, 2016
NEW BOOK RELEASE! What the Clocks Know, by Rumer Haven
AVAILABLE MARCH 18!
Released March 18, 2016
Paranormal Women's Fiction
~ * ~
Summary:
Twenty-six-year-old Margot sets out on a journey of self-discovery – she dumps her New York boyfriend, quits her Chicago job, and crashes at her friend’s flat in London.
Rather than find herself, though, she only feels more lost. An unsettling energy affects her from the moment she enters the old Victorian residence, and she spirals into depression. Frightened and questioning her perceptions, she gradually suspects her dark emotions belong to Charlotte instead.
Who is Charlotte? The name on a local gravestone could relate to Margot’s dreams and the grey woman weeping at the window.
Finding a ghost isn't what she had in mind when she went ‘soul searching’, but somehow Margot's future may depend on Charlotte's past.
Woven between 21st century and Victorian London, What the Clocks Know is a haunting story of love and identity.
** Add it! **
** Read it! **
Amazon US - http://amzn.to/21DZoCw
Amazon UK - http://amzn.to/1QsiFfr
Barnes & Noble - http://bit.ly/1Qsj1Tr
iBooks - http://apple.co/1QsjaWS
Kobo - http://bit.ly/1QsiQre
Smashwords - http://bit.ly/1Qsj69I
~ * ~
Author Bio:
Rumer Haven is probably the most social recluse you could ever meet. When she’s not babbling her fool head off among friends and family, she’s pacified with a good story that she’s reading, writing, or revising—or binge-watching something on Netflix. A former teacher hailing from Chicago, she presently lives in London with her husband and probably a ghost or two. Rumer has always had a penchant for the past and paranormal, which inspires her writing to explore dimensions of time, love, and the soul. She debuted in 2014 with Seven for a Secret (in which a Jazz Age tragedy haunts a modern woman’s love life), and her award-winning short story “Four Somethings & a Sixpence” (about a bride who gets a little something she didn’t register for) was released in 2015. What the Clocks Know is her second novel.
Learn more about Rumer at:
Website - http://www.rumerhaven.com
Facebook - http://www.facebook.com/rumerhaven
Twitter - @RumerHaven
February 18, 2016
Rumer Reviews: EVE - A CHRISTMAS GHOST STORY
Eve: A Christmas Ghost Story by Shani StruthersMy rating: 5 of 5 stars
Just finished this and am so sad it's over! Thank goodness the Psychic Surveys series itself isn't over, though, with a new installment on the way. Like the series that follows, this prequel is such a haunting yet cozy, perfect-for-curling-up-to-in-winter read that strikes emotional chords and explores the mystical in both a gentle and compelling way. Struthers consistently characterizes so fully with vivid and realistic description (including characters' endearing quirks) and well-developed inner and external conflicts. Every character, no matter how secondary, living or dead, adds something meaningful to the mix, and the result is a soulful journey indeed. Fantastic blend of historical fact (a tragic Christmas Eve miners' party) and imaginative fiction, threaded together with so much heart--and a good amount of fright!
View all my reviews
November 20, 2015
Available NOV. 24th! Eve: A Christmas Ghost Story
It's my incredible pleasure to share the newest release by one of my favorite authors, Shani Struthers! Her Psychic Surveys series entranced me from the start, and now, just in time to haunt us for the holidays, is the compelling prequel...
And now for a few words from the princess of the paranormal herself. Take it over, Shani!
Thank you for hosting me on your blog today! My new book, Eve: A Christmas Ghost Story launches on the 24th November on Amazon and is the prequel to the popular Psychic Surveys series. Featuring two of the Psychic Surveys team – Theo Lawson and Vanessa Patterson – it’s set between 1899 and 1999 and is loosely inspired by a true event.
In my fictional re-telling, Theo and Ness are asked to investigate a town weighed down by the sorrow of what happened 100 years before…
BLURB
What do you do when a whole town is haunted?
In 1899, in the North Yorkshire market town of Thorpe Morton, a tragedy occurred; 59 people died at the market hall whilst celebrating Christmas Eve, many of them children. One hundred years on and the spirits of the deceased are restless still, ‘haunting’ the community, refusing to let them forget.
In 1999, psychic investigators Theo Lawson and Ness Patterson are called in to help, sensing immediately on arrival how weighed down the town is. Quickly they discover there’s no safe haven. The past taints everything.
Hurtling towards the anniversary as well as a new millennium, their aim is to move the spirits on, to cleanse the atmosphere so everyone – the living and the dead – can start again. But the spirits prove resistant and soon Theo and Ness are caught up in battle, fighting against something that knows their deepest fears and can twist them in the most dangerous of ways.
They’ll need all their courage to succeed and the help of a little girl too – a spirit who didn’t die at the hall, who shouldn’t even be there…
EXCERPT
As Theo turned round to face the double doors, she had a feeling that someone - something - was rushing at her, as fleetingly as whatever had been in Adelaide's house. Refusing to let fear get a stranglehold, she turned back, her aim to confront it. A black wisp of a shape, like wood smoke, sideswiped her, before fading into nothing. Staring after it, wondering what it was, something else caught her attention. At the far end of the second room was something more substantial: a little girl, staring at her.
Theo's eyes widened. "Oh darling, darling," she whispered. She took a step forwards, tried to remember the names of the children on the list from earlier: Alice, Helen, Bessie, Adelaide's ancestor, Ellen Corsby perhaps. Which one was she?
She inched closer still. "Darling, your name, tell me what it is."
The little girl's arms moved upwards, she stretched them out, her manner beseeching although she remained mute. Theo tried again, told the child her own name.
"It's short for Theodora. I bet you're called something pretty."
The girl had a dress on; long, brownish, a course material - linen perhaps? Nothing special but if it was her party dress then maybe it was special to her. Her boots were brown too - lace ups, sturdy looking. She was around eight or nine but it was hard to tell. She could have been older just small for her age. Her hair was brown and tangled; she had a mane of it. Everything about her seemed to be brown or sepia, maybe sepia was the right word, as though she'd stepped out of an old photograph.
"I'm here now, sweetheart, I've come to help. You've been here for such a long time. Too long. You need to go to the light, go home, rest awhile."
Up closer, Theo could read her eyes. The longing in them stirred her pity.
"Let me help you," Theo persisted, her voice catching in her throat. As glorious as the other side might be, she still felt it unfair to be felled at such a young age. Often this was a good existence too and it deserved to be experienced fully.
She was close now, so close and still her arms were outstretched.
Harriet - the name presented itself whole in her mind.
"Your name's Harriet. Is that correct? It's lovely, it suits you."
Was that a smile on the child's lips, the beginnings of trust? Soon she'd be able to reach out and touch her. What would she feel like? Cold? Ethereal?
"Darling, I'm here," she repeated, no more than a foot between them. "I'm here."
Joy surged - one spirit had come forward - it was an encouraging start.
Just before their hands touched everything changed. Hope and joy were replaced with confusion as something sour - fetid almost - rose up, making her feel nauseous.
"Don't be afraid," Theo implored. Yet there was nothing but fear in her eyes now. No, not fear, that was too tame a word - terror.
"I'm not here to harm you," she continued. "I'm here to help."
As the words left her mouth, other hands appeared behind the child, a whole sea of them - disembodied hands that clawed at her, forcing her backwards.
"No!" Theo shouted. "Stop it. Leave her alone!"
But it was no use. Her words faded as the girl did. She'd been torn away, recaptured; the one who'd dared to step forward. Theo could feel sweat break out on her forehead, her hands were clammy. She clutched at her chest, her breathing difficult suddenly, laboured. Her heart had been problematic of late, a result of the pounds she'd piled on. She must go to the doctor to get some medication. Struggling to gain control, it took a few moments, perhaps a full minute, before her heart stopped hammering. And when it did, she remembered something else. The girl's eyes - her sweet, brown, trusting eyes - when the expression changed in them they hadn't been looking at her, they'd been looking beyond her. Was it at the thing that sideswiped her? Theo couldn't be certain. She wasn't certain either if that 'thing' was a spirit or much less than that - something with no soul, but with an appetite, an extreme appetite: a craving. Something, she feared, was insatiable.
Eve, now available for pre-order at:
UK http://tinyurl.com/nmnajss
US http://tinyurl.com/pe5f6db
AUTHOR BIO
Brighton-based author of paranormal fiction, including UK Amazon Bestseller, Psychic Surveys Book One: The Haunting of Highdown Hall. Psychic Surveys Book Two: Rise to Me, is also available and due out in November 2015 is Eve: A Christmas Ghost Story - the prequel to the Psychic Surveys series. She is also the author of Jessamine, an atmospheric psychological romance set in the Highlands of Scotland and described as a "Wuthering Heights for the 21st century."
Psychic Surveys Book Three: 44 Gilmore Street is in progress.
All events in her books are inspired by true life and events.
Catch up with Shani via her website www.shanistruthers.com or on Facebook, Twitter and Goodreads.
Facebook Author Page: http://tinyurl.com/p9yggq9
Twitter: https://twitter.com/shani_struthers
Blog: http://shanisite.wordpress.com
Goodreads http://tinyurl.com/mq25mav
And now for a few words from the princess of the paranormal herself. Take it over, Shani!
Thank you for hosting me on your blog today! My new book, Eve: A Christmas Ghost Story launches on the 24th November on Amazon and is the prequel to the popular Psychic Surveys series. Featuring two of the Psychic Surveys team – Theo Lawson and Vanessa Patterson – it’s set between 1899 and 1999 and is loosely inspired by a true event.
In my fictional re-telling, Theo and Ness are asked to investigate a town weighed down by the sorrow of what happened 100 years before…
BLURB
What do you do when a whole town is haunted?
In 1899, in the North Yorkshire market town of Thorpe Morton, a tragedy occurred; 59 people died at the market hall whilst celebrating Christmas Eve, many of them children. One hundred years on and the spirits of the deceased are restless still, ‘haunting’ the community, refusing to let them forget.
In 1999, psychic investigators Theo Lawson and Ness Patterson are called in to help, sensing immediately on arrival how weighed down the town is. Quickly they discover there’s no safe haven. The past taints everything.
Hurtling towards the anniversary as well as a new millennium, their aim is to move the spirits on, to cleanse the atmosphere so everyone – the living and the dead – can start again. But the spirits prove resistant and soon Theo and Ness are caught up in battle, fighting against something that knows their deepest fears and can twist them in the most dangerous of ways.
They’ll need all their courage to succeed and the help of a little girl too – a spirit who didn’t die at the hall, who shouldn’t even be there…
EXCERPT
As Theo turned round to face the double doors, she had a feeling that someone - something - was rushing at her, as fleetingly as whatever had been in Adelaide's house. Refusing to let fear get a stranglehold, she turned back, her aim to confront it. A black wisp of a shape, like wood smoke, sideswiped her, before fading into nothing. Staring after it, wondering what it was, something else caught her attention. At the far end of the second room was something more substantial: a little girl, staring at her.
Theo's eyes widened. "Oh darling, darling," she whispered. She took a step forwards, tried to remember the names of the children on the list from earlier: Alice, Helen, Bessie, Adelaide's ancestor, Ellen Corsby perhaps. Which one was she?
She inched closer still. "Darling, your name, tell me what it is."
The little girl's arms moved upwards, she stretched them out, her manner beseeching although she remained mute. Theo tried again, told the child her own name.
"It's short for Theodora. I bet you're called something pretty."
The girl had a dress on; long, brownish, a course material - linen perhaps? Nothing special but if it was her party dress then maybe it was special to her. Her boots were brown too - lace ups, sturdy looking. She was around eight or nine but it was hard to tell. She could have been older just small for her age. Her hair was brown and tangled; she had a mane of it. Everything about her seemed to be brown or sepia, maybe sepia was the right word, as though she'd stepped out of an old photograph.
"I'm here now, sweetheart, I've come to help. You've been here for such a long time. Too long. You need to go to the light, go home, rest awhile."
Up closer, Theo could read her eyes. The longing in them stirred her pity.
"Let me help you," Theo persisted, her voice catching in her throat. As glorious as the other side might be, she still felt it unfair to be felled at such a young age. Often this was a good existence too and it deserved to be experienced fully.
She was close now, so close and still her arms were outstretched.
Harriet - the name presented itself whole in her mind.
"Your name's Harriet. Is that correct? It's lovely, it suits you."
Was that a smile on the child's lips, the beginnings of trust? Soon she'd be able to reach out and touch her. What would she feel like? Cold? Ethereal?
"Darling, I'm here," she repeated, no more than a foot between them. "I'm here."
Joy surged - one spirit had come forward - it was an encouraging start.
Just before their hands touched everything changed. Hope and joy were replaced with confusion as something sour - fetid almost - rose up, making her feel nauseous.
"Don't be afraid," Theo implored. Yet there was nothing but fear in her eyes now. No, not fear, that was too tame a word - terror.
"I'm not here to harm you," she continued. "I'm here to help."
As the words left her mouth, other hands appeared behind the child, a whole sea of them - disembodied hands that clawed at her, forcing her backwards.
"No!" Theo shouted. "Stop it. Leave her alone!"
But it was no use. Her words faded as the girl did. She'd been torn away, recaptured; the one who'd dared to step forward. Theo could feel sweat break out on her forehead, her hands were clammy. She clutched at her chest, her breathing difficult suddenly, laboured. Her heart had been problematic of late, a result of the pounds she'd piled on. She must go to the doctor to get some medication. Struggling to gain control, it took a few moments, perhaps a full minute, before her heart stopped hammering. And when it did, she remembered something else. The girl's eyes - her sweet, brown, trusting eyes - when the expression changed in them they hadn't been looking at her, they'd been looking beyond her. Was it at the thing that sideswiped her? Theo couldn't be certain. She wasn't certain either if that 'thing' was a spirit or much less than that - something with no soul, but with an appetite, an extreme appetite: a craving. Something, she feared, was insatiable.
Eve, now available for pre-order at:
UK http://tinyurl.com/nmnajss
US http://tinyurl.com/pe5f6db
AUTHOR BIO
Brighton-based author of paranormal fiction, including UK Amazon Bestseller, Psychic Surveys Book One: The Haunting of Highdown Hall. Psychic Surveys Book Two: Rise to Me, is also available and due out in November 2015 is Eve: A Christmas Ghost Story - the prequel to the Psychic Surveys series. She is also the author of Jessamine, an atmospheric psychological romance set in the Highlands of Scotland and described as a "Wuthering Heights for the 21st century."Psychic Surveys Book Three: 44 Gilmore Street is in progress.
All events in her books are inspired by true life and events.
Catch up with Shani via her website www.shanistruthers.com or on Facebook, Twitter and Goodreads.
Facebook Author Page: http://tinyurl.com/p9yggq9
Twitter: https://twitter.com/shani_struthers
Blog: http://shanisite.wordpress.com
Goodreads http://tinyurl.com/mq25mav
October 15, 2015
Giving Away the Ghost at the 6th Annual Spooktacular Giveaway Hop
The Spooktacular Giveaway Hop is back to haunt us, mwahahahaaa!
Yes, boys and ghouls, it's time for the 6th Annual Spooktacular Giveaway Hop, which begins today, October 15th, and runs through midnight on Halloween.
In the spirit of spirits, I'm giving away ONE (1) KINDLE EBOOK of my Chicago-based ghost story, Seven for a Secret and a $10 AMAZON GIFT CARD.
a Rafflecopter giveaway
You can also trick-or-treat at the other blogs listed at the I am a Reader, Not a Writer blog (and at this Linky). So easy to win, it's almost scary!
June 22, 2015
#TRRparty: Win a Free Ebook of SEVEN FOR A SECRET!
Wanna make your sssummer sssizzzle? Enter The Romance Reviews's Sizzling Summer Reads party for a chance to win a free ebook of SEVEN FOR A SECRET and other prizes that meet your bookish fancy!
"Jefe, would you say there are a plethora of other authors participating in #TRRparty, giving readers many chances to stockpile their summer beach reads?"
"Yes, El Guapo. There are a plethora."
My own trivia question is only there for today, June 22nd, so please do give it a go or refer a friend!
"Jefe, would you say there are a plethora of other authors participating in #TRRparty, giving readers many chances to stockpile their summer beach reads?"
"Yes, El Guapo. There are a plethora."
My own trivia question is only there for today, June 22nd, so please do give it a go or refer a friend!
December 3, 2014
Ghost Host with the Most
So, when I post stuff like this, which is the vast majority of the time, I'm totally joking.
But when I recently posted this, I was only half-kidding...
...much to my own surprise. Now, you can consider me a "ghost" writer in a rather literal sense considering Seven for a Secret and my works in progress all involve the paranormal to some extent. I'm also an avid fan of shows like Ghost Hunters, Celebrity Ghost Stories, and Ghost Whisperer with a very open attitude toward the possibility of grounded spirits. That doesn't mean I don't have a degree of skepticism, too. There are several incidents appearing in Seven for a Secret and one of my WIPs that actually happened to me, but unlike in my stories, my real-life experiences had completely natural explanations. They might've given me an initial fright, but their causes were readily apparent. Things like that make for great material, though, so I love to let my imagination explore the supernatural explanations that would create a more interesting tale.
What happened to me last weekend, though, I truly can't explain--and not for lack of trying. It really doesn't make for the most exciting story (so please adjust your expectations accordingly), but I'm going to relate it here anyway. It all began at a wee Tudor cottage in Herefordshire, England.
My husband and I, both US expats living in London, decided to enjoy a long Thanksgiving weekend in the countryside. We arrived in the evening, so just decided to settle into our holiday cottage and snack from the welcome basket that the owner had so graciously provided. Sitting in the living room, I noticed movement in the corner of my eye, so I looked directly at my husband's wool scarf where it hung on a coat tree across the way and saw a few pieces of its fringe lift up. It was sort of an awkward, hesitant motion, but I was about to dismiss it as my eyes playing tricks on me until my husband said, "Did you see that, too?"
I know what you're thinking: drafty old cottage. Hey, I've seen enough Ghost Hunters to know to try to debunk this stuff! But this was also a newly renovated cottage with its hatches effectively buttoned up; everything's pretty well fitted, insulated, and air-tight. Nonetheless, we checked the area around the scarf for a draft, but there was nothing (and it would've taken a gust to reach it from the door--and just the one, as it didn't happen again--but it wasn't even windy outside), and there were radiators, not air vents blowing heat. Plus, nothing else hanging near the scarf had been disturbed. The few fringes that moved were almost selectively so.
Then not very long afterwards, I watched our bag of crisps teeter side to side. Not out of the corner of my eye but straight on, right in front of me at my feet. The tiny coffee table was covered with stuff, so we'd set the bag on the floor, propped against a table leg but standing fairly upright. We didn't kick it with our feet or anything--I hadn't even moved my legs, and my feet were several inches away from it, my husband's even further. Even if it had simply lost its balance, I'd think it would've fallen on its side from the angle that it had tilted, not lean over then sway back to where it was. And again, no draft whatsoever--there wasn't even a door or window on the other side of the room where the source would've had to be, just enclosed space. My husband, for the record, had been looking at his laptop at that point so hadn't seen the bag, but he heard it scrape against the table when it moved. He even tried to recreate it by swinging his foot, but it only caused a slight breeze that barely ruffled the bag--and that was when kicking at pretty full force, which he obviously hadn't been as we were just sitting there relaxing.
I proceeded to have an incredibly vivid dream that night about seeing a little girl's ghost. I had risen from the bed to see my husband already standing by a table next to it, and the girl emerged from a wardrobe with a single eye that eventually became two. She wore her blond hair in braids, and I had an entire, comprehensible conversation with her--not dream babble that didn't make sense or that I couldn't remember when I woke up. I learned that her name was Sarah, and I asked if she minded that we were there; with a shrug and shake of her head, she said she didn't at all. I also asked her if there was anyone else with us in the house, to which she gave a sort of vague, noncommittal answer; at the time and even now, I'm not sure whether she was being dismissive because another presence was nonexistent, nothing to worry about, or simply something she didn't want us to worry about. Ignorance is bliss.
In any case, we didn't experience anything after that--unless you count my husband's toiletry bag crashing to the floor while I was taking a bath the next morning. But I can see that happening if it was just ever so slightly off balance and gradually leaning, leaning, until it fell off the wooden beam. The hot water heater could've caused some vibrations that got that going. Who knows, as I didn't see how precariously his bag had been sitting to begin with. Yet surely the scratching that woke us the morning after that was just a mouse in the rafters.
Regardless, we weren't surprised to find afterwards that the village has earned some honorable mentions on the Haunted Hereford and Hereford Paranormal sites. And we think it makes sense that if something were to be there, it would be curious each time a new visitor arrives at the rental cottage. That it would poke about a bit, feel us out, and on deciding we're harmless, leave us alone to peacefully coexist. We'll never know.
One thing for certain, however, is that the atmosphere in the entire place was HEAVY. I found myself taking extra breaths just to relieve some of the pressure bearing down on me. That's a sensation I first felt at Ground Zero in New York City and proceed to feel in old buildings all over London. For now, I won't confirm that I believe in ghosts, but I do believe in energy and that some places are heavy with the weight of their own histories.
So wherever we go, whatever we do, let's work on leaving happy imprints behind us. :)
But when I recently posted this, I was only half-kidding...
...much to my own surprise. Now, you can consider me a "ghost" writer in a rather literal sense considering Seven for a Secret and my works in progress all involve the paranormal to some extent. I'm also an avid fan of shows like Ghost Hunters, Celebrity Ghost Stories, and Ghost Whisperer with a very open attitude toward the possibility of grounded spirits. That doesn't mean I don't have a degree of skepticism, too. There are several incidents appearing in Seven for a Secret and one of my WIPs that actually happened to me, but unlike in my stories, my real-life experiences had completely natural explanations. They might've given me an initial fright, but their causes were readily apparent. Things like that make for great material, though, so I love to let my imagination explore the supernatural explanations that would create a more interesting tale.
What happened to me last weekend, though, I truly can't explain--and not for lack of trying. It really doesn't make for the most exciting story (so please adjust your expectations accordingly), but I'm going to relate it here anyway. It all began at a wee Tudor cottage in Herefordshire, England.
My husband and I, both US expats living in London, decided to enjoy a long Thanksgiving weekend in the countryside. We arrived in the evening, so just decided to settle into our holiday cottage and snack from the welcome basket that the owner had so graciously provided. Sitting in the living room, I noticed movement in the corner of my eye, so I looked directly at my husband's wool scarf where it hung on a coat tree across the way and saw a few pieces of its fringe lift up. It was sort of an awkward, hesitant motion, but I was about to dismiss it as my eyes playing tricks on me until my husband said, "Did you see that, too?"
I know what you're thinking: drafty old cottage. Hey, I've seen enough Ghost Hunters to know to try to debunk this stuff! But this was also a newly renovated cottage with its hatches effectively buttoned up; everything's pretty well fitted, insulated, and air-tight. Nonetheless, we checked the area around the scarf for a draft, but there was nothing (and it would've taken a gust to reach it from the door--and just the one, as it didn't happen again--but it wasn't even windy outside), and there were radiators, not air vents blowing heat. Plus, nothing else hanging near the scarf had been disturbed. The few fringes that moved were almost selectively so.
Then not very long afterwards, I watched our bag of crisps teeter side to side. Not out of the corner of my eye but straight on, right in front of me at my feet. The tiny coffee table was covered with stuff, so we'd set the bag on the floor, propped against a table leg but standing fairly upright. We didn't kick it with our feet or anything--I hadn't even moved my legs, and my feet were several inches away from it, my husband's even further. Even if it had simply lost its balance, I'd think it would've fallen on its side from the angle that it had tilted, not lean over then sway back to where it was. And again, no draft whatsoever--there wasn't even a door or window on the other side of the room where the source would've had to be, just enclosed space. My husband, for the record, had been looking at his laptop at that point so hadn't seen the bag, but he heard it scrape against the table when it moved. He even tried to recreate it by swinging his foot, but it only caused a slight breeze that barely ruffled the bag--and that was when kicking at pretty full force, which he obviously hadn't been as we were just sitting there relaxing.
I proceeded to have an incredibly vivid dream that night about seeing a little girl's ghost. I had risen from the bed to see my husband already standing by a table next to it, and the girl emerged from a wardrobe with a single eye that eventually became two. She wore her blond hair in braids, and I had an entire, comprehensible conversation with her--not dream babble that didn't make sense or that I couldn't remember when I woke up. I learned that her name was Sarah, and I asked if she minded that we were there; with a shrug and shake of her head, she said she didn't at all. I also asked her if there was anyone else with us in the house, to which she gave a sort of vague, noncommittal answer; at the time and even now, I'm not sure whether she was being dismissive because another presence was nonexistent, nothing to worry about, or simply something she didn't want us to worry about. Ignorance is bliss.
In any case, we didn't experience anything after that--unless you count my husband's toiletry bag crashing to the floor while I was taking a bath the next morning. But I can see that happening if it was just ever so slightly off balance and gradually leaning, leaning, until it fell off the wooden beam. The hot water heater could've caused some vibrations that got that going. Who knows, as I didn't see how precariously his bag had been sitting to begin with. Yet surely the scratching that woke us the morning after that was just a mouse in the rafters.
Regardless, we weren't surprised to find afterwards that the village has earned some honorable mentions on the Haunted Hereford and Hereford Paranormal sites. And we think it makes sense that if something were to be there, it would be curious each time a new visitor arrives at the rental cottage. That it would poke about a bit, feel us out, and on deciding we're harmless, leave us alone to peacefully coexist. We'll never know.
One thing for certain, however, is that the atmosphere in the entire place was HEAVY. I found myself taking extra breaths just to relieve some of the pressure bearing down on me. That's a sensation I first felt at Ground Zero in New York City and proceed to feel in old buildings all over London. For now, I won't confirm that I believe in ghosts, but I do believe in energy and that some places are heavy with the weight of their own histories.
So wherever we go, whatever we do, let's work on leaving happy imprints behind us. :)
October 14, 2014
Giving Away the Ghost at the 5th Annual Spooktacular Giveaway Hop
Ghost stories by candlelight, giveaways of frightful delight...that's what makes a blog hop SPOOKTACULAR, mwahahahaaa!
I am giddy as all ghoul-out to be participating in I am a Reader, Not a Writer's 5th Annual Spooktacular Giveaway Hop for my first time. The paranormal party begins Wednesday, October 15th, and runs through midnight on Halloween, when the undead are their most alive.
As my contribution, I'm offering ONE (1) SIGNED COPY and TWO (2) EBOOKS of my Chicago-based ghost story, Seven for a Secret. It's available internationally and soooo easy to win through the Rafflecopter below, it's almost scary. ;)
a Rafflecopter giveaway
But I'm hardly the only one with a wickedly sweet stash of book bootie--be sure to trick-or-treat at the other blogs listed in the Linky below (if you have any issues accessing the Linky, you can also find the list here):
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