Showing posts with label brainstorming ideas for a novel. Show all posts
Showing posts with label brainstorming ideas for a novel. Show all posts

November 26, 2014

It All Started with a Purse

Whenever I'm asked for advice on how to get started writing a novel, my response is pretty simple: "Start writing." The only way to do it is to, you know, actually do it. You can't sculpt anything without the clay. There is no novel to polish and perfect without the first draft. A really rough, rambling, rookie first draft. That's what you cut your teeth on.

Easier said than done, perhaps, when you don't have any idea what you want to write about. My answer is still the same: Write. Write about everything; write about nothing. Writing a novel isn't about facing a blank computer screen and starting at Chapter One, Page One. Before there's a first draft, there should be an outline. But even before the outline, there are usually chicken scratchings jotted down on any surface you can get your hands on: notebook paper, a journal, an envelope, a napkin... You need to brainstorm ideas and simply stretch and flex your creative muscles by writing about anything whatsoever. Writing prompts work for me when I find myself in a rut, whether from an actual book of them or based on a random thought I might have while out walking or in the shower. Watch people and things; observe behavior and sensory detail. And when you write something down about it, don't put the pressure on yourself to make it perfect. That all comes in due time. For now, just let go.

Reflecting on my own path to publication, I'd like to look way, way back--before I ever attempted writing a novel, before I was remotely close to having an idea for the first manuscript I wrote, let alone the second one that was actually my first to get published ("debut" novels are so rarely the first that a person writes!). As you might have seen in my website's Thrift Shop, there's a little black purse that I purchased several years ago at a vintage sale. I was busy full-time teaching back then; my time was too filled with lesson-planning and grading and barely grasping my sanity to even fathom carving out more for writing novel-length fiction. But I liked to dapple in short stories and vignettes, just to give my imagination somewhere to wander aimlessly. And for whatever reason, that little black beaded bag sparked my fancies enough for me to sit and dash off this freewriting:
She heard the drain from above release from some lucky gal’s late-night bath. Flipping through the pages, she paused for a moment’s thought, and her eyes unconsciously drifted to the evening bag still setting on the floor where she had left it several nights prior, nesting in the original brown bag of its purchase. She found even when she became conscious of the object of her line of sight and was plucked from her pensive pause, as her eyes focused they still did not seem to do so...enrapt were they in the celestial body of the beading, as though staring into the milky heavens, a private observatory of unrestricted skies, free of constellation form and twinkling the more for it. With a zoom-in motion, her eyes and mind were lured, and it was only then that she became aware of the increasing volume and intensity of the water trickling through the piping above, though it did not seem of the direction of the general vicinity of the bathroom, but encompassing her, about her, around her, within her, deafening her, the drops streaming then beading on her skin, the blood trickling through her veins with a new coolness. The zoom-in was no longer a stationary movement as she found she had risen from the sofa and approached the dazzling hexagon, swept open its glittering lid and stared into the reflective remnants of the former mirror’s backing, seeking out that which sought, until, in a flicker irretrievable, she saw them. A pair of fogged green eyes glaring back.
I didn't worry about grammar or if what I was saying even made sense; I just wrote without stopping. And now six to seven years later, an adapted version of this rough sketch appears in the third chapter of Seven for a Secret--not because I was feeling unoriginal and wanted to lamely rehash whatever I'd already written, but because that very last sentence (that spewed out off the top of my head without thinking about it very hard) ultimately gave me the idea for this book.

Just goes to show how those random observations are worth the time you give them. And those scraps of paper you scribble on are worth holding on to as pieces of an as-yet unknown puzzle. You never know if or when their time will come to develop into something much more. So what miscellaneous little whimsy might you pen some words about in the next few minutes? On your mark...get set...GO WRITE!  

May 29, 2014

What I Do and Why I Do It

Nicki-n-Me :)
The witty and wonderful Nicki Elson has tagged me to answer the following four questions about writing. Nicki herself has recently contracted her third novel (the first in a new series, it seems!) to follow her provoking paranormal romance, DIVINE TEMPTATION, and her comedic collegiate romance debut, THREE DAVES.

You can read Nicki's responses to these same questions over at her Not-So-Deep Thoughts blog, and without further ado, here are mine:

* What am I working on? *

As mentioned in my last post, I'm on the cusp of receiving SEVEN FOR A SECRET back from my editor for first-round revisions. The novel is scheduled for an August release, so I'm expecting to spend the next month in my cave curled up with that. But although this is my "debut" novel, it's the second manuscript I've written, so as I wait on edits for manuscript #2 (a ghostly romance set in modern/1920s Chicago), I've been channeling nervous energy into revising manuscript #1 for querying (a "ghost" story with a twist set in modern/Victorian London). And manuscript #3 is slowly but surely unfolding as chicken-scratchings on notebook paper. I've got the setting, characters, and general premise in mind for a romantic mystery of sorts (with a 1940s flair), but I'm attempting a rather complicated structure, so there's a whole lotta' planning necessary before I can actually start writing it.

* How does my writing differ from others of its genre? *

I like to think every story I write bears my personal stamp of weirdness, and I suppose my concept of romance might also vary from the norm. My stories have their saucy bits, but only to the extent that it moves the story forward in a meaningful and realistic way (well, that's the goal, anyway; whether I achieve it remains to be seen). You could say I prefer the slow burn of love to an explosion of lust. I've never been in a heated argument with my husband one second then thrown myself into his arms for a passionate make-out session the next, so it's hard for me to convince my characters to do it. But when my fella' wants to hug me in apology first thing in the morning, when I'm an unshowered, untoothbrushed hag? Swoon! So maybe I'm not so much about the romance as the love. At least in my contemporary tales. Somehow romance comes to me more naturally when writing against a historical backdrop; I tend to be very self-deprecating and pragmatic about the present because it's the reality I know, but outside of that frame of reference, I enjoy more escapism.

* Why do I write what I do? *

I write what I like to read, and my entire life I've loved curling up to a good Gothic/ghost story. And having lived in historic buildings, I can't help but think of all the lives that occupy the same spaces over the decades and centuries. So the nature of time and the soul just fascinates me and can be explored through so many dimensions; I don't know if I could ever exhaust (or be exhausted by) all the different ways to approach it.

* How does my writing process work? *

As a previous blog post ("Madness to the Method") relates, I start with literal pen and paper. I don't even try to be organized about it--as soon as I have the bud of an idea, I just go balls-out brainstorming any and every thought that comes to mind so I can eventually look at it from a birds-eye view and begin connecting the dots. This evolves into a rough back-of-the-envelope outline, which I abide by as I officially begin writing at the computer, but I allow the pathway between points A and B to emerge organically as well. I know it's different for everyone, but I personally wouldn't enjoy the writing process as much if I plotted everything meticulously in advance. I like the freedom of the yet-unknown and letting my characters whisper the next scenes in my ear. But I've also tried writing with no outline, and that's just a disaster. And so, following the happy medium of structure-vs-spontaneity, I write a first draft, step away, revise, step away, revise, and continue to lather, rinse, repeat as necessary. I wish I could say I write every day, but I don't. I don't just sit and wait around for inspiration either, but the process does ebb and flow depending on other obligations and whether the story's talking to me or not. At those times when I'm feeling too tapped out to create, then I read. I perceive every book I read as an investment in my own writing, so that pleasure could never be a guilty one for me. :)

Okay, so now for the task of tagging four more people to ask these questions. I'm going to run with a few Omnific-riffic authors:





No worries, tagged Authoresses--you all have new books coming out soon and are feverishly writin' s'more, so I know time is scarce. There shall be no slap on the wrist if you don't accept this challenge. I encourage everyone else to still check out their sites and books, though (linked above), and lose yourself in some crazy good imagination and writing. Read-&-Write on!

February 4, 2014

The Life of the Mind


"My job is to plumb the depths, so to speak. Dredge up something from inside, something honest. I got to tell you, the life of the mind…there’s no road map for that territory. And exploring it can be painful." (Barton Fink, 1991)