My brainstorming process isn't pretty. I admit it. But the only way I can write is to write everything down that swarms inside my fool head. I wrote my two manuscripts on the computer, but they both started out as pen-to-paper scraps of ideas, which I wrote on literal scraps as well.
The photo above is where my novel Seven for a Secret was born: character profiles jotted on the back of my husband's resume at Cafe Nero in London, popular 1920s names listed on hotel stationary in Singapore, the catalyst and its ripple effect on different characters scratched onto a torn piece of paper who knows where, and the draft plot outline, key questions, and possible scenarios scribbled into a notebook at a cafe in the French Alps.
Yeah, it probably all sounds very Hemingway and romantic, the expat writer crafting her stories in foreign cafes and hotels when she's not at her typewriter up in a garret, smoking and sipping absinthe all the while, but the reality isn't all that quaint (or substance-abusing). My creative process is messy and mental and just plain mean to me sometimes.
And over three years later...huh. Let's just say I've never been so happy that I don't partake in winter sports. :)
Excellent work avoiding Villa Olivia all those years. Very interesting how your stories come together. I like that handwriting still plays a part. My own chicken scratch doesn't really allow for that -- it became way too time consuming to decipher what I'd written!
ReplyDeleteHa, ha! Yes, Villa Olivia, that temptress. What amazing restraint on my part. ;)
DeleteAnd you make a fair point about your handwriting. It's beautiful in its own unique way, a rare and precious snowflake...but you stick to typing, and I'll continue writing/printing like a 12-year-old boy. :)
I scrawl over everything. My hubby knows to NEVER throw away anything. It will have that ONE line I needed that was perfect. Nice post.
ReplyDeleteHa! Good man. Hopefully my husband knows the same. :) You seriously never know which ideas you'll trash or treasure!
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